Camus refutes this armchair attitude; he characterizes the town as filled with bored people, people who have cultivated habits, people whose chief interest is "doing business." Talking about Cottard, Grand says that the only previous instance of any odd behavior is that the fellow always seemed to want to start a conversation. Nature seems indifferent to the mushrooming fungus of destruction. The emphasis on the habits which have been formed and cultivated by the "soulless" people of Oran are significant. Jean Tarrou, on the other hand, is intrigued. Use up and down arrows to review and enter to select. Two things are done here with Grand. In this paper, I would like to discuss such character of Camus’ novel The Plague as Joseph Grand. Spring's heavy perfume is in extreme contrast to the heavy smell of death. The rats were headlines in the press. As an actual Algerian town in North Africa, it functions as an anchor of reality for the reader. So that the book will not have a one-viewpoint narrative, the author of the chronicle offers the notebooks of — not an Oranian — but those of an outsider, Jean Tarrou. The symbol is that of the German occupation of France against which Camus fought so heroically during the war. Action is the only answer. He is sure that he is a good neighbor, but is he? Because he did not believe in God or an afterlife, Camus held that human beings, as mortals, live under an inexplicable, irrational, completely absurd death sentence. This narrator slips out of Chapter 2 and the book moves forward with conventional plot interest and the introduction of several main characters, yet it retains Chapter I's sense of structural completeness. Character List. Rieux, as narrator, castigates the townspeople for their stupidity and frivolity, these people who refuse to conjure and consider consequences. Camus and The Plague - Articles from The School of Life, formally The Book of Life, a gathering of the best ideas around wisdom and emotional intelligence. Everyone who chooses to fight the plague, to rebel against death, knows that their efforts increase their chances of contracting the plague, but they also realize they could contract the plague if they did nothing at all. The Plague Introduction. Into it, however, can be read all Camus's native anxieties, centred on the idea of plague as a symbol.' Once they do become aware of it, they must decide what measures they will take to fight the deadly disease. This speculation of Rieux's turns into musings throughout Chapter 6. Why does Cottard have an irrational fear of the police? Albert Camus’ ‘The Plague’ and the Philosophy of Suffering, 2007. These details are the gears and wheels of Rieux's project of truth; they are the bits of conversation, street-corner portraits, the city's nerve ends. The Prefect, or local magistrate, must be dealt with. It is at this point that one should revolt against his stultifying pattern of living. The doctor gives Grand credit for being a man of feelings. Knowing, of course, that he (the narrator) is Dr. Rieux, we can see a kind of scientific detachment to his style, in addition to his hope to be objectively truthful. The doomed citizens, shut off and abandoned to die, cope with various strategies as the months drag on their languished souls. Father Paneloux A priest in Oran.. Raymond Rambert A Paris journalist trapped in Oran.. Joseph Grand A petty official, also a writer.. Cottard A criminal who hides from arrest in Oran.. M. Michel A concierge, the plague's first victim. Both men are, strictly speaking, nobodies — statistics, figuratively; actually, counters of statistics. Thanks for exploring this SuperSummary Plot Summary of “The Plague” by Albert Camus. His thoughts of fellow Athenians fighting one another centuries ago for burial rite space for their dead foreshadows a like battle he will fight when he attempts to properly care for the sick and dying. The Outsider, The Plague, And The Fall By Albert Camus Analysis 1774 Words | 8 Pages. He read the shocking chalk-scrawled note on Cottard's door and dashed in. In social waters, swimming is done blindly. Rieux's initial acceptance of the plague is a major scene in this first section, and as relief from this tension Chapter 5 briefly changes the pace. This objective tone is particularly important because by underplaying the sensationalism of the plague, he hopes to startle our intellect more completely to its lessons. He seems disconnected, interested primarily in himself. He has tried suicide and recovered. The tragedy of a plague is announced in the book's title. What Camus’s The Plague can teach us about the Covid-19 pandemic A conversation about solidarity and revolt in Camus’s famous novel. This is, in a sense, what Camus is doing in the opening scenes of The Plague. Fleeing the city or otherwise avoiding the anti-plague effort is tantamount to surrendering to the absurd death sentence under which every human being lives. And yet The Plague ultimately makes for edifying reading in this time of quarantine. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. (Camus 44) Rieux stays, faces his fear of death, and stays altruistic to fill the duty of being a doctor. Analysis Of Albert Camus 'BookThe Plague' 1424 Words | 6 Pages. But what interests him most about Oran? Grand, in contrast, does not. There is more, though, to Tarrou than a seemingly morbid curiosity. 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